Start off 2012 with a laugh.

I did.

Cannot wait to watch Downton Abbey, Series Two on PBS Masterpiece. Until then...enjoy, and happy new year, everyone!

And, just in case you missed part one:

 

 

EMMA on PBS Masterpiece Classic

Are you as excited as I am about the new EMMA miniseries on PBS Masterpiece Classic?

If so, please read my post on PBS's Remotely Connected blog, and let me know your thoughts!

Victoire Sanborn of Jane Austen's World and Jane Austen Today has also posted about EMMA.

How about watching EMMA as a communal experience with fellow Austen fans? If you've got a Twitter account, join the live Twitter party during Sunday's broadcast, 9-11 Eastern AND 9-11 Pacific time.

Along with PBS and Masterpiece, Jane Austen's World and Austenprose are co-hosting the East Coast Twitter party. I'll be co-hosting the West Coast Twitter party with Kali Pappas, a fellow Austen blogger.

To join, sign up with TweetGrid or your own Twitter aggregator, and use the hashtag #emma_pbs. And you don't have to wait for Sunday to start tweeting about EMMA.

See you in Highbury! (And don't forget to take the quiz!)

Ten Ways to Cope Without The Complete Jane Austen Series

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict

[This is my guest post for  Jane Austen Today.]

What? No more weekly doses of Austen on PBS? Fear not, my fellow addicts. Help is here. All you need to do is follow this ten-part program.

Re-reading Austen's six novels (or reading them for the first time) will of course play a big role in this program. Ah, but what accompanies each read will make your experience even sweeter.   

1. Try Northanger Abbey for your first post-Masterpiece read. Why Northanger Abbey? One reason could be that it was the first of Austen's novels to be accepted by a publisher—who then couldn't be bothered to publish it. Idiot. Thumbing your nose at such stupidity is one reason to read it first. Another, even better reason, is that NA's a fun way to shake off the post-Masterpiece blues.

•    After you read the book, see what it's like to be Catherine Morland, the heroine of Northanger Abbey. How? Drive or walk around your city or town and pretend you are seeing it from the point of view of someone who has never been there and finds it fascinating and exciting. See? You're experiencing your world like Catherine experienced the city of Bath. If you're hard pressed to find something exciting or fascinating about your world, go into the nearest flower garden and learn to love a hyacinth. Or just think about how a young woman from the late eighteenth/early nineteenth century might respond to some of the modern technological wonders you take for granted.  Like hot showers, for example. Flush toilets in every house. Mascara. Tampons.

•    Then, top off your newfound sense of wonder and appreciation for your world by firing up your DVD player with the 2007 adaptation of Northanger Abbey* starring J.J. Feild and Felicity Jones. There. Aren't you feeling better already?

•    *Ready for more? Try the 1986 adaptation of Northanger Abbey. Though it's unpopular with a lot of Janeites, you might, like me, find it entertaining.

2. Read Sense and Sensibility.

•    After you close the book on Elinor and Marianne, imagine what happens next. (We all know these characters are real and keep living their lives after the books end, don't we?) Here's a fun situation to ponder: What happens the first time Edward and Elinor go to London and have dinner at Edward's mother's house—and are sitting across the table from Lucy and Robert? What do they talk about? Imagine Elinor sitting in the drawing room after dinner with Mrs. Ferrars and Lucy. And here's another one to consider:  Should Marianne, or Mrs. Dashwood, ever confront John Dashwood about his broken promise to help them financially? If you were to write that speech, what would you have Marianne say? Or should the Dashwood ladies let John's own guilty conscience do all the work?

•    Now that you've survived all those Dashwood/Ferrars family reunions, reward yourself with a screening of the Ang Lee/Emma Thompson Oscar-winning Sense and Sensibility (1995)*  And while you're at it, order yourself a large pizza, chocolate cake, and/or a trough of margaritas. Yes. This program is definitely working.

3. Read Pride and Prejudice.

•    After you read the book, imagine that you are Elizabeth experiencing your first visit to Rosings as Mrs. Darcy. (Lady Catherine has cooled down by now and consoles herself by hoping that her nephew will be so fortunate as to become widowed at a young age and redeem himself by taking a second wife, i.e., Anne de Bourgh.) Amuse yourself by observing the gyrations of Mr. Collins when he and Charlotte join the Rosings party for dinner. As Elizabeth once said to Mr. Darcy, "Follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can."

•    But wait, there's more. It's time to watch the Colin Firth/Jennifer Ehle P&P mini again (one can never watch it too many times), and/or the 2005 movie with Keira Knightley, depending on whether your idea of Mr. Darcy is Colin Firth or Matthew MacFadyen or both. The 1995 mini is a great excuse to have a pajama party (where I grew up, we called them slumber parties). And one is never too old to have a slumber party. Send the kids away for sleepovers and banish any curmudgeonly significant others. Then, bring in lots of goodies, because five hours of viewing requires a great deal of fuel. There's all that fencing and swimming and dancing and taking refreshing turns around the room. I'm getting exhausted just thinking about it. No matter which film you watch (or even if you watch both), be sure to buy the soundtrack of the 2005 film and play often. It's stunning.

4.  Read Mansfield Park.

•    Even if you're a reader who can't quite warm up to Austen's heroine Fanny Price (I feel your pain, but do give her some time; she grew on me after awhile), you can have a lot of fun thinking about how this book could have ended but didn't. For me, that's the most fascinating, thought-provoking aspect of Mansfield Park. As Patricia Rozema, director of the controversial 1999 adaptation of Mansfield Park, put it in her screenplay, "It could have all turned out differently, I suppose. But it didn't." With that in mind, imagine what would have happened if Edmund had married Mary Crawford, and if Fanny had given in and married Henry Crawford. Happy marriages? Reformed rakes? Or a disaster?

•    As compensation for the lack of a truly satisfying Mansfield Park film (see below)*, you get to watch the lovely 2007 BBC mini of Sense and Sensibility instead. I know, it's Sense and Sensibility, not Mansfield Park, and you just saw it on TV, but who cares? It's worth seeing again. It'll make you feel good. And isn't that what this program is all about?

*I'm one of the minority of Janeites who liked  the 1999 Patricia Rozema adaptation of Mansfield Park, but I liked it more as a story inspired by Mansfield Park than as an adaptation per se. Rozema's rendering of Fanny Price is more like the director's idea of a young Jane Austen than the protagonist Jane Austen wrote for Mansfield Park. And Rozema's vision of the story's subtext is pretty dark. But then again, the book itself is perhaps the least "light, and bright, and sparkling" of Austen's works. By the way, there is a fascinating article on this film by Kathi Groenendyk in JASNA's journal Persuasions: As for the latest adaptation that aired on PBS, it has such a truncated version of the story that one wonders how anyone who didn't read the book could figure out what's going on. Mrs. Norris, Fanny's main nemesis, has mysteriously turned into a bland creature. And Fanny Price looks entirely too 21st-century and wears cleavage-baring day dresses (none of this is the fault of the actors, but still). As for the 1983 BBC mini, the heroine is more faithful to the book than its companions. However, while the principal actors are unquestionably talented I couldn't quite see some of them in their roles. And it's got that static, video-on-a-stage feel of early BBC productions that I find challenging to watch.

5. Read Emma.

•    After you finish the book, play a little game called "Emma, Reformed Matchmaker." You'll need to play with a single friend (preferably a single friend who would like to be in a couple). Each of you sits down and writes a list of qualities that your friend's perfect, future mate should possess. Do not reveal what is on your lists until both of you are finished writing. Now share. You may be surprised to find that your lists differ greatly. When you read your friend's list, refrain from exclamations of horror unless one of the items on that list includes "must be incarcerated in a maximum security prison." Now, give your list to your friend to take home with her. Tell her she is free to cross out whatever she doesn't like on your list and keep whatever she does like. Or burn the whole thing. If she cares to share her final list with you, you may keep your eyes open for appropriate candidates and discreetly point them out to her. That's "point them out," not shove them in her face. Remember, you are "Emma, Reformed Matchmaker." If your friend doesn't care to share her final list, then graciously wish her all the best in finding her dream partner and promptly change the subject. Then, take her to Ford's (or local emporium of your choice) to buy a new dress. Or draw her picture. Without a potential mate watching the proceedings. See? You're a better, happier human being already.

•    Now that you've had a successful run at self-improvement, Jane Austen-style, you deserve to have an Emma film festival. That's three very clever films indeed: The Kate Beckinsale/Mark Strong-starrer, the Gwyneth Paltrow/Jeremy Northam movie , and the brilliant Clueless, starring Alicia Silverstone and directed by Amy Heckerling. Three fabulous films means you get to invite at least three friends over to have a viewing party or slumber party. And stock up on provisions, for a private screening of three films, without sitting down to supper, [would be] pronounced an infamous fraud upon the rights of men and women.

6.  Read Persuasion.

•    After you finish the book, amuse yourself by imagining whether or not Mrs. Clay will indeed become the next Lady Eliot. If she does, will Anne and Frederick, or any of her family, ever visit Sir William and Lady Eliot? How will Mary's health survive it? Or Elizabeth's pride? Or on a pleasanter note, will Capt. Wentworth allow his wife on board his ship? If so, what exciting places will Anne visit?

•    Watch the lovely, 1995 adaptation of Persuasion starring Amanda Root and Ciarán Hinds. Optional: the 2007 version of Persuasion.  Although Austen's story is compressed into a scant 93 minutes in the latest version, this one is also worth watching, particularly if you love Rupert Penry-Jones as much as I do. Besides, the DVD restores the small but significant bits that were cut from the PBS broadcast.

7. Join the Jane Austen Society of North America (JASNA) and mingle with fellow Janeites at local and national meetings. I know what you're thinking, and yes, the rumors are all true. It's a cult. We have a secret handshake. We aim for total world domination. Okay, you can stop sweating now. I'm kidding. Really. JASNA is a community of warm, welcoming, fun-loving people who love Jane Austen and love getting together and talking about their favorite author with like-minded people. Like you. There are local reading groups (think Jane Austen Book Club, but usually with more than just the six Austen novels), regional get-togethers with fascinating speakers, entertainment, and delicious food, special screenings for members, and annual general meetings (AGMs) in a different city each year with talks and panels and workshops and English country dance lessons and a banquet and a Regency ball. At my first AGM I thought I'd died and gone to Austen heaven. 

8. Watch a film that's so life-affirming and joyful that it merits a place of its own on this list: Bride and Prejudice, Gurinder Chadha's Bollywood-meets-Hollywood tribute to Pride and Prejudice. It's way better than a year's supply of antidepressants or a gallon of Absolut martinis. Hint: This one merits a party or at least inviting one friend over to watch with you. First, order in Indian food. Then, before popping in the DVD, unearth floaty scarves from your wardrobe or nearest accessory emporium, and keep them on hand to wave around while you dance along with the various musical numbers. Be sure to buy the soundtrack and play it in your car or on your iPod while commuting to work the next day. I feel better just thinking about it.

9. Now that you've got that Indian groove thang going, try English country dancing. Then you can watch all the movies set in Jane Austen's time again, and at the ballroom scenes you can dance along. There are many places to learn English country dancing, and from my experience, the people are friendly and welcome beginners, and there's no need to bring a partner with you. Some dance societies hold regular dances and even annual balls. In Southern California, check out Vintage Dance & History. Nationwide, go to the English Country Dance Webring and the Country Dance and Song Society.

10. Finally, take a trip back in time to Regency England. No, I haven't lost my mind. I have, however, written a novel that will transport you to 1813 England. Confessions of a Jane Austen Addict  is the story of a modern L.A. girl and Austen fan who wakes up one morning as an Englishwoman's in Austen's time. As of April 29, Confessions comes out in paperback, which means the fare to Jane Austen's world becomes even more affordable.

If you have another item or two to add to this list, I would love to hear your suggestions, and I'm sure the readers of this blog will thank you. Just enter your suggestions as a comment .

Win a collection of Austen-inspired books, and a DVD

Book Club Girl, which is a fabulous resource for book clubbers and solo readers alike, is running a contest for all of us who've been watching the Masterpiece Complete Jane Austen extravaganza on PBS. All you need to do is go to Book Club Girl and vote for your favorite Masterpiece adaptation of Jane Austen's novels. Then, post a comment to Book Club Girl's blog saying why you chose that particular film, and you'll be entered in a random drawing. The prize is a collection of Austen-inspired books: Confessions of a Jane Austen Addict by yours truly, Lost in Austen by Emma Campbell Webster, The Lost Memoirs of Jane Austen by Syrie James,  an advance copy of Cassandra and Jane by Jill Pitkeathley, and Darcy's Story by Janet Aylmer, plus the DVD of whichever is the favorite Masterpiece adaptation of Austen’s novels as chosen by voters on the Book Club Girl blog.

By the way, I've met two of the authors of the prize books: Emma Campbell Webster, author of Lost in Austen, (we were on a panel together at Book Expo); and Syrie James, author of The Lost Memoirs of Jane Austen, at a JASNA meeting yesterday. They're both lovely women.

And speaking of being inspired by Austen, at yesterday's JASNA meeting (a regional meeting of JASNA-SW), a highlight of the program was a tour of the Michael Sadleir rare book collection at UCLA. Among the treasures in that collection was a gorgeous first edition of Pride and Prejudice, the third volume of which I held in my hands. That was a moment I will never forget.

Sense and Sensibility: The Final Chapter in Masterpiece's Complete Jane Austen

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict (http://janeaustenaddict.com)

[This is the latest in my series of guest blogs for About.com's Classic Literature Blog.]

How do I love the panoply of Austen film adaptations? Let me count the ways. I love the women in empire-waisted gowns and the men in form-fitting knee breeches. I love the clip-clop of horse-drawn carriages and the turns and figures at Regency balls. Most of all, I love seeing Jane Austen's brilliant words (or at least, one hopes, a reasonable approximation of them) come to life on the screen.

I admire that anyone even attempts to brave the minefield of adapting my favorite author. Although it is a truth universally acknowledged that the book is always better than the movie, a good movie often inspires those who haven't read the book to do so. And the more Austen readers there are out there, the closer we Janeites come to world domination.

Just kidding. But would that be such a bad thing?

In any case, the latest and final installment in Masterpiece Classic's Complete Jane Austen, Sense and Sensibility, does Miss Austen proud. Why, you might wonder, should anyone bother to adapt this beloved book again, when the Oscar-winning Ang Lee/Emma Thompson film did such a marvelous job? Turns out there is always something new to say. Or show.

PBS asked me to guest-blog about the new Sense and Sensibility on Remotely Connected, their guest-blogger project. I have a lot to say about what I admire about this new film, how it deviates from and stays true to the novel, and how it complements the Emma Thompson movie. Check out my review here.

[Photos: Hattie Morahan as Elinor and Charity Wakefield as Marianne; Dan Stevens as Edward Ferrars.]

Emma; or How Jane Austen Revealed My Inner Know-it-All

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict (http://janeaustenaddict.com)

[This post continues my series of guest posts on About.com's Classic Literature Blog.]

Yes; I'll admit it. There have been times when I've acted a bit like Emma, the eponymous heroine of Jane Austen's novel. There have been times when I have, shall I say, ventured into the unsolicited advice department. Times when I've been so convinced of what I knew about others that no one could convince me my assumptions were absolutely wrong.

I haven't always seen myself in Emma. In fact, there was a time when I would have been offended at the very suggestion. After all, Emma is the heroine that Jane Austen said "no one but myself will much like." But the older I get and the more I re-read Austen's works, the more I begin to see myself not only as Elizabeth Bennet (and who doesn't want to see herself as "dearest, loveliest Elizabeth"?), but also as some of Austen's more flawed characters.

These "a-ha" experiences are high on the list of reasons why I love Austen. I have this theory that if you read her works enough times and really contemplate the life lessons therein, you can pretty much give up your psychotherapist. You can even reduce your library of self-help books to Austen's six novels. They are so much fun to read, so satisfying, so full of dramatic tension and hilarious commentary, that you hardly know you're getting a life lesson at all. Which is exactly how I like my life lessons delivered.

When we first meet Austen's heroine Emma Woodhouse, she is enjoying the "triumph" of what her truth-telling friend (and only critic) Mr. Knightley dismisses as Emma's "lucky guess." Said "lucky guess" is the marriage of Emma's dearest friend (and former governess) Miss Taylor.  Emma, however, gives herself more credit for the match than Mr. Knightley chooses to do. Emboldened by the success of her first foray into matchmaking, and lonely for the newly married Miss Taylor, Emma takes on a new project, Miss Harriet Smith. Determined to make over the trusting and subservient Harriet into Emma's own idea of perfection, Emma decides that Harriet's current romantic interest is too low on the social scale for her new friend. Emma, in all her social consequence and omniscience, will elevate Harriet on the social scale. Emma, in all her generous solicitude for the well-being of others, will bestow upon the vicar, Mr. Elton, the perfect wife. For he would be just the right man for Harriet.

Never mind that Mr. Elton has plans of his own and that the worshipping Harriet would follow wherever Emma leads. For Emma, those around her are pawns, and she their queen. Emma, of course, fancies herself a benevolent ruler. And thus she embarks on a series of misguided adventures into high-stakes meddling in the lives of others while having not the slightest doubt of her own sagacity. Challenged by no one but Mr. Knightley,  she willfully misreads and misinterprets everyone's actions. She is, in short, a character we might heartily dislike, were it not for the genius of her creator.

Austen's brilliance is about making us see the  universal humanity of all of her characters. Even if we cannot see ourselves in a particular character, we most certainly have known someone like that character. From the very beginning, we cannot truly dislike the high-handed, I-know-better-than-you Emma, for she has sacrificed her own domestic comfort to her best friend Miss Taylor's interests. Mr. Knightley may call the marriage of Miss Taylor to Mr. Weston a "lucky guess," but it was Emma who encouraged Mr. Weston to visit her friend, in hopes that he would eventually propose—and take that best friend away. Thus we see that under her meddling is a warm, affectionate heart. And we cannot truly dislike Emma because she patiently and without complaint—even to herself—ministers to the comfort of her hypochondriacal, self-centered, childlike father.

Most of all, we cannot truly dislike Emma because she becomes ensnared in her own machinations. And thus Mr. Knightley's wish that he "should like to see Emma in love, and in some doubt of a return " comes to pass.

(Be careful about what you wish on others, Mr. Knightley. It may just come back to kick you in the hindquarters.)

And that is all I shall say. If you have not read the book, I urge you to do so. You might just recognize that you, like Emma, find the idea of arranging someone else's life to be so much more appealing than looking at your own.

By the way, all of you who are jonesing for Austen since Masterpiece Theatre cruelly took a hiatus from its Complete Jane Austen extravaganza are in for a treat: the 1995 adaptation of Emma starring Kate Beckinsale. It airs on PBS in two parts, beginning Sunday, March 23. The Kate Beckinsale Emma is also available on DVD, as is its worthy companions, the splendid adaptation starring Gwyneth Paltrow and Amy Heckerling's contemporary take on Emma, the delightful Clueless.

Pride and Prejudice: Once upon a time, before there was Colin Firth…

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict

[This post continues my ongoing series of guest posts for About.com's Classic Literature blog]

There's something terribly exciting about taking part in a national event, be it the presidential debates or the weekly Austen-related offerings from PBS's Masterpiece. And although we Austen addicts love grumbling about the film renderings of our beloved author's work almost as much, or perhaps more, than we adore grousing over the incivilities of presidential hopefuls, one would be hard-pressed to find fault with the 1995 BBC Pride and Prejudice, which airs in three parts beginning Feb. 10, 2008.

Yes, my friends, there is much cause for rejoicing, for not only is the 1995 P&P longer than any of the new upstart adaptations (five hours as opposed to the scant 90-plus minutes allotted to Northanger Abbey,  Mansfield Park, and Persuasion, and even those were lopt and cropt for the US broadcast), it is gratifyingly faithful to text. Of course, this beloved version of P&P has five hours to do so. And let's not forget the famous Wet Shirt Scene (though truth be told, I find the Fencing Scene infinitely hotter).

Some have posited that Colin Firth and Keira Knightley (in the 1995 and 2005 P&P films, respectively) have done more to fuel these two decades-worth of Austen-mania than the books themselves. In all fairness, we must consider the relative positions of books and movies. The books, like Anne Eliot in Persuasion, live at home, quiet and confined, on shelves and nightstands, while their cinematic pretenders preen on red carpets and grab the headlines. Nevertheless, Emma Thompson said it best when she accepted the Golden Globe for Best Screenplay (Sense and Sensibility): "Everybody involved in the making of this film knows that we owe all our pride and all our joy to the genius of Jane Austen." Indeed. Were it not for the genius of Austen, there would be no Darcy and Elizabeth to play.

Pride and Prejudice is the most famous and popular of all the Austen novels. It is also arguably the most adaptable to the screen. The reasons are manifold.

On a surface level, Pride and Prejudice is a fairytale. Poor (relatively speaking) girl ends up, against all odds, living happily ever after with the rich, handsome prince. This fairytale attribute is universally appealing, as is the brilliant wit with which Austen delivers her story.

Those who see only a light comedic romance in Pride and Prejudice do, alas, miss the most important reasons for its enduring appeal. Jane Austen herself, in a letter to her sister Cassandra following the publication of P&P, comically presaged this popular misconception: "Upon the whole... I am well satisfied enough. The work is rather too light, and bright, and sparkling; it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or the history of Buonaparté, or anything that would form a contrast…"

A discerning reader will find that this story is also a story of empowerment, of control over one's destiny, and of an emerging meritocracy. For the heroine of P&P and her hero, their rewards come not merely through any advantages of birth and inherited wealth, but rather through the hard work of self-examination, revelation, and voluntary shifts in attitudes and behavior. Imagine the appeal of such a story back in Austen's class-stratified day. Consider its appeal today, in our world of make your own destiny, re-invent yourself, and hard work wins the day.

For if we, like Elizabeth Bennet, see that the very flaws that annoy us in others (in her case, the vanity and pride of Mr. Darcy) are merely reflections of our own failings, we will be rewarded. Elizabeth's vanity causes her to trust the wrong man. Her pride makes her blind to the merits of the right man. Her ultimate self-revelation and humility are painful but highly rewarding. If we, like Elizabeth, engage in the hard work of honest self-examination (as in her famous line, Till this moment, I never knew myself), the rewards are immeasurable, though they may not necessarily take the form of Mr. Darcy and Pemberley.

As for Mr. Darcy's hard work and consequent reward, is there anything more satisfying than watching "the proudest, most disagreeable man in the world" humbled by the realization that it would take a lot more than a big bank balance to win the girl? Says Darcy to Elizabeth, "You shewed me how insufficient were all my pretensions to please a woman worthy of being pleased." Hearing his confession gives us hope that maybe, just maybe, there is justice in the world.

So yes, we can let the Mr. Darcys of the world waltz into town and buy their way into our heart or business or country, or we can own our power to make them prove that their worth goes deeper than their wallet. We can be like Elizabeth's best friend Charlotte Lucas, who sells out for money and security by marrying a man she does not love. Or we can be like Elizabeth Bennet, who, like Jane Austen herself, held out for more. Did Austen regret accepting, then turning down, the proposal of Harris Bigg-Wither, a man who was, according to JASNA past-president Joan Klingel Ray, three times wealthier than her fictional Mr. Darcy? Could Austen have seen herself in Elizabeth Bennet's thoughts when, after turning down Mr. Darcy's first proposal, she tours his great estate with her aunt and uncle? "And of this place," thought she, "I might have been mistress!"

The recent PBS offering, "Miss Austen Regrets," has a great deal to say on that score. I believe that if Austen had any regrets, they were of short duration. I believe that the satisfaction of sending four of her six great novels into the world (two were not published till after her death) and maintaining a close, lifelong relationship with her sister Cassandra more than compensated for the wealth and social consequence she gave up. As Claire Bellanti, Coordinator of JASNA-Southwest points out, it is unlikely that being the mistress of Harris Bigg-Wither's great estate (well, actually three great estates) and the mother of his children would have left any time for writing.

There is something else about Pride and Prejudice that gives it timeless resonance: the human propensity to make snap judgments (and often erroneous ones) about our fellow creatures. In the novel, Darcy's coldness and reserve at a public dance results in universal agreement on the part of Elizabeth and her neighbors: He is the proudest, most disagreeable man that ever was seen.

By the time Wickham appears in the story with his tale of ill-usage at the hands of Mr. Darcy, everyone, including the reader, is eager to believe it. But like all "truths universally acknowledged," this one tends to be as false as the rest.

The parallels between the prejudices in Pride and Prejudice and our enduring predisposition to prejudge individuals and entire races of people are staggering. From our eagerness to believe gossip overheard by the school lockers to our willingness to take as received wisdom the latest rumors in the break room, we are voluntary dupes of our own, and others', false judgments. We hear about the latest celebrity meltdown or trip to rehab, and we decide we know everything there is to know about that person. We hear one presidential candidate accusing another of misconduct, and we decide we know the whole truth.

Pride and Prejudice, and its creator, Jane Austen, know better.

Mansfield Park: Jane Austen's Most Controversial Novel

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict (http://janeaustenaddict.com)

(This is yet another of my series of guest posts for About.com's Classic Literature blog.)

Discuss Mansfield Park in your book club, and your friends, like most readers, will tend to differ over a variety of points. The most typical one is this: Is the heroine, Fanny Price, a model of moral integrity, or a self-righteous prude? Is the marriage that ends the story (and Austen's stories always end with a marriage) between the right two people? And what's up with that part about the play?

The story begins when nine-year-old Fanny Price is taken from the home of her impoverished parents and moved to the estate of Mansfield Park to be brought up by rich relatives. This is no clear-cut Cinderella story, however. Although there are a couple of mildly wicked stepsisters (Fanny's cousins Maria and Julia) and a stand-in for a wicked stepmother in the form of her Aunt Norris, teenaged Fanny's central nemesis—and rival in love--is the saucy, sassy anti-heroine Mary Crawford.

The object of both Fanny's and Mary's affections is Fanny's cousin Edmund (I know, I know, but in Jane Austen's day one could marry one's cousin without anyone batting an eyelid). Edmund loves Fanny like a cousin, but he is in love with Mary.

Did you ever feel jealous of someone, and at the same time also felt you didn't have the right to be jealous? Fanny, being in an inferior position in the Mansfield Park family and unloved by her birth parents, has deeply rooted self-esteem issues. Mary, on the other hand, walks through life with a serious sense of entitlement. Shouldn't that be enough to put us squarely in the pro-Fanny camp?

Perhaps, but Fanny challenges us at every turn. For example, there is the famous section of the book in which Fanny disapproves of and refuses to participate in a play that her cousins and neighbors are putting on at home for their own amusement. For this part of the story to make the least bit of sense to a modern reader, one needs to understand that this particular choice of home theatricals would be the modern equivalent of a group of teenagers voting to have a wild, high-risk party in their strict parent's house while said parent was out of town.

Despite Fanny's balking at participating in said wild party, we cannot quite dismiss her as a buzz-killing Miss Perfect. After all, she is eaten up with jealousy for a great deal of the book, and as we all know, jealousy is not a pretty emotion. She is also not one to obey those in authority at all costs. In fact, she stands up to the biggest authority figure in her life by refusing to do what she knows in her heart would be wrong, and I'm not talking about acting in a play. (I'll say no more, lest I spoil the book for those who've yet to read it.)

If you've ever had an opinion that your friends considered uncool, and you stuck to it despite ridicule and pressure, you'll find a kindred spirit in Fanny Price, and you'll want her reward to be the man she loves. However, if you're still doing shots with your inner bad girl, you'll be rooting for Mary Crawford to win the object of her, and Fanny's, affections. (By the way, Austen scholar Emily Auerbach pointed out at one of the Jane Austen Society of North America's annual meetings, that several of Mary Crawford's lines of dialogue are astonishingly similar to lines from Jane Austen's own letters.)

To make things more interesting, some readers will want Fanny to be won by Mary's rakish, heartbreaker brother, Henry Crawford, who finds himself unaccountably in love for the first time in his life. Henry doesn't seem to stand a chance with Fanny, who is not only in love with another man, but also has watched in contempt and pity while Henry toyed with Fanny's cousins, the above-mentioned Maria and Julia. It's one big love triangle. Or square. Or heptagon.

Could there possibly be a better Austen novel for book clubs to chew on? And I haven't even touched on the theories about Mansfield Park's antislavery subtext.

In Mansfield Park, Jane Austen is clearly at the height of her storytelling mastery, deftly playing with reader loyalties and expectations while serving up the delicious social satire and suspenseful plotting that keep us coming back for more.

Nevertheless, Mansfield Park presents clear challenges to filmmakers who wish to adapt it, which is perhaps why director Patricia Rozema turned the heroine of her 1999 adaptation  into a synthesis of Fanny Price, Mary Crawford, and Jane Austen herself. As for the latest adaptation of Mansfield Park, which airs on PBS's Masterpiece Classic on Sunday, January 27, I am all anticipation. Let's see what the filmmakers have got up their sleeves this time.

Read more about Confessions of a Jane Austen Addict,  and surrender to your Austen addiction at http://janeaustenaddict.com.

Northanger Abbey: Austen’s Coming-of-age Story for All Ages

by Laurie Viera Rigler, author of Confessions of a Jane Austen Addict (http://janeaustenaddict.com)

(This is part of a series of guest posts I am doing for About.com's Classic Literature blog.)

"The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid."
            --Henry Tilney, in Jane Austen’s Northanger Abbey   

When Henry Tilney speaks these words in Austen’s funny and touching novel, Northanger Abbey, the story’s heroine, Catherine Morland, gets a serious crush. (Truth is, Henry had her at hello.) Still, Henry’s declaration is a bold one, for in Austen’s day novels were considered low art, especially if they were penned by a woman and consumed by women. Catherine favors the lowest of the low--scary Gothic novels written by women and featuring abduction, seduction, supernatural horror, and/or murder—the kind of novels that teens (and many an adult) could not get enough of.

Every era likes to marginalize certain forms of art. In Austen’s day, it was the novel (and not just the Gothic ones). Today, it might be graphic novels or romance or so-called "women’s fiction" or "chick lit" or science fiction or horror. Take your pick. Despite the snobbery, Jane Austen and her whole family were, in her own words, "great Novel-readers, & not ashamed of being so." Nevertheless, Northanger Abbey is a hilarious send-up of just the kind of horror-and-romance-fest that Catherine Morland—and Jane Austen—liked to read. The difference between the heroine and her creator is that Catherine Morland kept expecting real life to play out like one of her favorite novels, while Jane Austen thought real life had its own set of fascinating stories to tell.

Seventeen-year-old Catherine Morland’s story unfolds as she leaves home for the first time, bound for the fascinating city of Bath. She falls in love, is whisked off to the romantic-sounding estate of Northanger Abbey, witnesses betrayal and deception, suspects murder, and takes a dangerous journey alone. Ultimately, Catherine learns self-reliance in more ways than one. No t only does she cease to be, in her mother’s words, "a sad little shatter-brained creature," she also learns to distinguish between her own wild imaginings and her intuition, between fantasy and reality, between false friends and true.

Northanger Abbey is the perfect coming-of-age story, for it is in no way about giving up our youthful fancies and zest for living. Quite the opposite. Through Catherine’s innocent, exuberant embrace of what is fresh and novel (no pun intended), we the readers remember the first time we traveled to a new city, danced with the person who made us feel valued for who we are, or "learnt to love a hyacinth."

I can’t wait to see the latest adaptation of Northanger Abbey that airs on Masterpiece Theatre’s Complete Jane Austen Sunday, January 20.

 

Persuasion: Jane Austen's Story About Second Chances

by Laurie Viera Rigler, author of  Confessions of a Jane Austen Addict.

(This is my first guest post for About.com's Classic Literature Blog.)

Bringing in a New Year is all about second chances. This year, we vow, we will do it right. We have a second chance to take better care of ourselves. We have a second chance to be kinder, wiser, and better human beings. It is therefore fitting that Masterpiece Theatre’s Complete Jane Austen ushers in this New Year with the Austen novel that is all about second chances, Persuasion.

If you haven’t yet read Persuasion, you now have a second chance to do so. If, like me, you’re already a Jane Austen addict, then you’ve probably read the book several times and will no doubt do so again. If you’re not already an admirer of Austen, then you may be under the misguided impression that Austen wrote fluffy romances that were all about who got to marry the rich guy and where the stories were as archaic as the characters’ horse-drawn carriages. Not so. Granted, Austen novels always include a love story, and yes, her books do predate the four-door hybrid. Nevertheless, her characters are as real and relevant as the people sitting across from you at the dinner table, in the office, and at your favorite dance club/bar/coffeehouse/bookstore/hangout. Jane Austen was as keen an observer of human nature as you’ll ever come across in life or literature, and human nature hasn’t changed a bit since women wore bonnets and men knee breeches.

If you’ve ever felt like your family didn’t treat you the way they should; if you’ve ever been misunderstood, misled, or misguided in any way, then Persuasion will speak your language. If you’ve ever yielded to the opinions of others over what your heart told you to do, if you’ve ever given up someone because you were told you had to, if you’ve ever wasted even a tiny bit of this short life holding onto resentment instead of opening up to forgiveness and love; then you will get your second chance to make things right with Persuasion.

Persuasion is the story of Anne Eliot, who has never got over a romantic disappointment she had when she was 19 years old. She has little support from her ruin of a family, which consists of a vain, widowed father and a self-centered, caustic older sister. Eight years before, Anne had fallen in love with and got engaged to Frederick Wentworth, a bright, earnest young man whose lack of money and career prospects set Anne’s status-conscious family against the marriage. Her surrogate mother, whose advice Anne trusted above all, persuaded Anne that the only right thing to do was to give up the engagement. Now, eight years later, Anne’s family is in financial trouble, and Frederick Wentworth, now Captain Wentworth, is back in town and rich from the spoils of the Napoleonic Wars. Problem is, he’s never forgiven Anne for breaking his heart. In fact, he proceeds to flirt with other women right in front of her.

Is it man’s nature to forget the woman he loves sooner than woman forgets man? Is an invariably determined person any wiser than an easily persuadable one? And most important, will Anne and Frederick ever get what they really want? Persuasion is a page-turning, heart-stopping story that I’ve read at least twenty times, and I find something new and illuminating in it with every reading. It is also, like all of Austen’s novels, filled with delicious social satire and wickedly funny moments.

Still not persuaded? How about this suggestion: If the latest Persuasion film doesn’t send you running for your nearest bookstore (and I hope it will), then rent the 1995 version directed by Roger Michell and starring Ciarán Hinds and Amanda Root. If you do, I guarantee you will not be able to resist having that book in your hands. And as an added bonus, the book has the best love letter of any novel you’ll ever read. So good you’ll want to commit it to memory. (“Tell me not that I am too late…”)

It’s not too late to read Persuasion. Take your second chance. And Happy New Year!

Surrender to your Austen addiction at janeaustenaddict.com.
 

Happy Holidays

I hope this finds you well and happy and indulging in Austen!

Great news for all Austen lovers awaits us in the new year: Masterpiece Theatre’s Complete Jane Austen begins in January with four new adaptations, plus rebroadcasts of the Kate Beckinsale Emma and the inimitable 1995 Pride and Prejudice miniseries starring the man in the wet shirt, Colin Firth.

Canada's public station, TVO, has cool clips and commentaries   on these exciting new productions. (If you get TVO you don't even have to wait till January to see three of the new films. You can watch Northanger Abbey, Mansfield Park, and Persuasion on TVO beginning December 16, which also happens to be Jane Austen’s birthday.)

In the meantime, consider taking a break from holiday stress (or feigning work at your desk ) while eying an array of all your favorite Austen movie trailers and clips. And if you dearly love a laugh, watch some of these, too.

Wish you’d come to one of my readings instead of washing your hair that night? Check out this Authors @ Google’s video of a reading at Google’s Ann Arbor offices, which was one of the highlights of my book tour. Imagine working for a company that cooks you a delicious lunch every day and brings in authors to read you stories during the workday. Where can I sign up?

Speaking of unusual venues, how about a hair salon that’s also a bookstore? That’s Beauty and the Book, the Jefferson, Texas headquarters of The Pulpwood Queens Book Club, another exciting stop on the tour. What would Jane Austen say about such a place? Read my guest post on Book Club Girl and find out.

Coming up this month: Satellite Radio interview on XM 163’s Sonic Theater-“This is Audible.” If you don’t have XM, the interview will be available on audible.com for free download. Just type in keywords "This is Audible," "Josephine Reed" (the delightful interviewer/program director), and "December 2007" to find the download. Exact broadcast date will be posted here as soon as it’s available.

In the meantime, let’s all enjoy the holiday season and raise our glasses to Miss Austen on December 16. And while you’re making your lists and checking them twice, consider giving your favorite Austen addicts a round trip ticket to 1813 England for the mere price of a book (or six-CD unabridged audiobook, which just got a glowing review in Publisher’s Weekly).

May this holiday season and the coming year bring you much happiness,

Laurie