Jane Austen Addict Blog

Writing Tips from Fitzgerald, Ishiguro, and Vonnegut

If you're feeling stuck or just craving inspiration, or if you'd love to get a peek at the creative process of a favorite author, these are for you, thanks to 1st Books* and Boing Boing: 

8 Writing tips from F. Scott Fitzgerald (courtesy of 1st Books*) 

My favorite of Fitzgerald's: “I think it’s a pretty good rule not to tell what a thing is about until it’s finished. If you do you always seem to lose some of it. It never quite belongs to you so much again.” Read the rest of his tips here.

6 Writing tips from Kazuo Ishiguro (also courtesy of 1st Books*)

My favorite of Ishiguro's: “Focus on the relationship, and the characters will take care of themselves." Read the rest of his tips here.

8 Writing tips from Kurt Vonnegut (courtesy of Boing Boing)

My favorite of Vonnegut's: "Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them–in order that the reader may see what they are made of." Read (or hear; they have the audio!) the rest of his tips here. 

*I recently discovered 1st Books, and I LOVE this blog. It's all about writing, and it's filled with inspiring pieces about the creative process. 1st Books is hosted by New York Times best-selling author Meg Waite Clayton.

 

Writing With Power, Thanks to Wonder Woman (and Amy Cuddy).

After the New York Times recently profiled Amy Cuddy's famous TED talk on "power posing," I followed in the footsteps of 4 million other folks and watched it. And it is brilliant. 

The big takeaway is one of those rare things: It's not just a quick fix: it is a profound practice that creates instant results.

Here it is, the "Wonder Woman" power pose that everyone should do two minutes a day. And especially before any situation in which your work or who you are or how you present yourself is to be evaluated by others. You'll walk in feeling confident, powerful, the master of your world.

But how about those times when it's your own inner critic that does the evaluating? I've been doing the Wonder Woman pose before sitting down to work on my novel, and I'm happy to report that it's very effective.

I'm thinking of trying the costume as well.

[photo from Harvard Business School hbs.edu]

Shakespeare, Jane Austen, and Slings and Arrows

Been thinking about Shakespeare a lot lately, thanks to rewatching for the third or fourth time the entire three-season series "Slings and Arrows." If you have not seen it, make haste to Netflix or iTunes, because you are in for a treat. 

Slings and Arrows is set in a fictional Canadian Shakespeare festival and is all about the alchemy of storytelling and theatre and the best and worst of human behavior. It's hilarious, touching, brilliantly written, and makes the language of Shakespeare, the subtext, the structure, all of it, come to life in a way I have never seen before. Here's a little taste: 

Jane Austen (and all roads lead to Austen), whose deep and often comic insights into the highs and lows of human behavior led George Henry Lewes (and, according to him, Thomas Macaulay) to call her "a prose Shakespeare," clearly had an intimate knowledge of the Bard; even seemingly passing references to his works in her novels are fraught with subtext.

Consider Mrs. Dashwood's mentioning to Marianne that the family will defer finishing its reading of Hamlet till Willoughby's return, a return that will not come, and which will lead Marianne into an Ophelia-like attempt at self-destruction.

Or the teasing way in which Catherine Morland of Northanger Abbey is introduced as a girl of little learning but who has amassed a store of useful information from her reading. For example:

...from Shakespeare she gained a great store of information - amongst the rest, that

---------"Trifles light as air,
"Are, to the jealous, confirmation strong,
"As proofs of Holy Writ."

That

"The poor beetle, which we tread upon,
"In corporal sufferance feels a pang as great
"As when a giant dies."

And that a young woman in love always looks

"like Patience on a monument
"Smiling at Grief."

Although Northanger Abbey is a comedy, none of these quotes is lightly chosen. Catherine will be both the object of jealousy and see her brother suffer from it, is deeply compassionate towards those who are suffering, and will be forced to find reserves of patience to endure the wait for the object of her own affections.

Did I ever say Northanger Abbey is Austen's most underrated novel?  

 

Seven Myths About Novelists...and a BIG Giveaway

Read my guest post on The Bookworm and enter for a chance to win three novels:

Confessions of a Jane Austen Addict and Rude Awakenings of a Jane Austen Addict by me,

and The Journeys of John and Julia: Genesis (book one of a series) by Aurelia

 

The Writing Life: Getting Yourself Out Of The Way

From a really wonderful interview in the Goodreads Young Adult Book Club with Aurelia Haslboeck, author of THE JOURNEYS OF JOHN AND JULIA: GENESIS (book 1 of the series):

The most difficult part for me [about writing] is having the discipline to sit down and do it. There is really nothing romantic about the process of writing itself.

I'd like to think that my characters all speak for themselves and I only take dictation.

Talk about getting yourself out of the way! Seriously the best advice ever. I am definitely going to remember this.

There are loads more gems in the interview, so do read it, and enter the giveaway! You may just win a copy of THE JOURNEYS OF JOHN AND JULIA: GENESIS! It's brilliant.

The Writing Life: favorite bits of encouragement

Lately I've been looking through some of my posts tagged "Writing Life," and found a few favorites. Welcome reminders as I write my next two novels.

What You Don't Know Can Help You

A Real Writer Writes Every Day, and Other Myths

I Quit! 

May these pieces help support you on your own writing journey!

Girl Power in Publishing

Love Jennifer Weiner. Love The Guardian. Here's an excellent piece she wrote on the need for a New Girls' Network in the book world.

As Jane Austen might have said in MANSFIELD PARK,

Thanks to Amy R. Bromberg for the link. 

It's stuff like this that reminds me why I write.

A friend explained double happiness to me recently. It's when we are so happy that we bring that happiness to someone else. And then I came across this little gem the other day.

To know that one's work has brought happiness to another is the greatest gift of all.

What You Don't Know Can Help You

Check out my guest post on the wonderful blog, Journeys in Ink, where I talk about how to use what you don't know to go from the state of being blocked to the state of flow.

Fiction to Film Interview

Please check out Fiction to Film's interview with me, where I answer reader questions and provide advice for authors seeking a publisher, discuss my love of Jane Austen, the idea of bringing my Austen Addict novels to the screen, and much more.

Nick Hornby's latest brings Austen devotees to mind

I just read JULIET, NAKED by Nick Hornby who, along with Zadie Smith, is my idea of a contemporary Jane Austen. Both Hornby and Smith make profound observations of human nature, give us romance without sentimentality, have a divine sense of humor, and are simply masterful storytellers. In my writing workshops I inevitably read passages from various Hornby novels and Smith's ON BEAUTY as examples of the best in contemporary fiction.

 

For this reader, JULIET, NAKED brought to mind some of the online discussions that occur amongst Austen's most devoted readers. A central premise of the book is that no matter how much the admirers of an artist's work examine that work, study it, parse it for meaning, and become "experts," they can never acquire irrefutable proof that the creator felt a certain way or had a particular type of experience at the time she created it. Bottom line is it's nothing more than speculation. And speculation is often wrong.

 

In JULIET, NAKED, one of the characters, Duncan, spends a good deal of his time on a web forum holding forth on the hidden meanings and nuances in the songs of a rock singer-songwriter named Tucker Crowe, who mysteriously dropped off the grid back in 1986, causing his small band of devoted followers to speculate endlessly on why he left and what's been going on in his life since his disappearance. And most of all, what was behind JULIET, the album that Tucker was promoting when he dropped out of sight. Annie, Duncan's girlfriend, puts up with Duncan's obsession, but when Duncan posts a review of a newly released album of JULIET demos—an unadorned set of tracks that the fans dub JULIET, NAKED, Annie decides she's had about enough of Duncan's prosings about Tucker's genius. And so she posts her own review. And, miraculously, she is rewarded with a correspondence from the real Tucker Crowe, who periodically reads Duncan's forum and chuckles at the inaccurate conclusions therein.

 

I've often wondered what Jane Austen might say about the assertions, online and otherwise, about what she did or did not mean when she wrote a particular line or character because of what she did or did not experience or feel. Because, after all, no matter how much we think we are experts on Austen,  it is really all just speculation. No one but Austen can know what she meant, felt, believed, or experienced at any given moment in time. No one but Austen could tell us if a certain character espouses Austen's own beliefs. And it is never a given that an author believes what her protagonist believes. Or that what happens in a novel resembles what happened in the author's own life. Even Austen's letters—like all letters--are just snapshots of the moment she wrote that letter, and thus only indicate what she felt or believed at that given moment in time. We cannot even take the words in those letters at face value, for the reader of much of them, her sister and closest friend, Cassandra, would get the ironies and subtext and in-jokes and tone in a way that we can only dream of—and speculate about.

 

One thing we can be sure of—and this is the greatest gift of any great storyteller or songwriter: The words and music and characters and stories that we love have deep meaning for us, based on our own personal experiences, beliefs, and aspirations. That is how we make these most beloved works our own. As Karen Joy Fowler said very wisely in her novel, THE JANE AUSTEN BOOK CLUB, "Each of us has a private Austen." Or in Nick Hornby's JULIET, NAKED, a private Tucker Crowe.

 

Do read JULIET, NAKED—it's a beautiful, funny, thoughtful book.

 

 

Library Love, and a Reading at Glendale Public Library

Many people are surprised when I tell them that I grew up in a house with only a handful of books. Neither of my parents were readers—my mother has, in recent years become a voracious reader—but luckily back then there were three ways by which I was able to indulge my incessant need for books: the bookmobile that visited my neighborhood, the library bus that took me to my local public library, and my school library.

 

[Two kinds of bookmobiles: One from the Meridian Library in Meridian, Idaho; and the other from the Camel Book Drive in Kenya. For more information about the wonderful Camel Book Drive,* and to see how you can help, click here.

For me, the library was a magical place where smiling ladies handed me the keys to endless doors that opened onto exciting new worlds and infinite possibilities. Libraries were the place where I discovered the  sanctuary of story. The wonder of imagination. The power of the word.

Were it not for libraries and librarians, I would not be who I am today.  Which is why I will always be grateful to librarians, library support staff, and all the generous folks who support these sanctuaries and champions of reading.

And so I am particularly excited to be doing a reading and signing of RUDE AWAKENINGS OF A JANE AUSTEN ADDICT at Glendale Public Library.  This is a particularly vibrant, exciting place with lots of community events and a dynamic staff whose mission is "to enrich life, foster literacy, inspire intellectual curiosity and stimulate the imagination."

And they're also a lot of fun.

So take a break from the heat and have a glass of iced tea with me at Glendale Public Library. I look forward to seeing you there!

Details:

Thursday, August 20
7 PM
Reading and Signing of RUDE AWAKENINGS OF A JANE AUSTEN ADDICT
Glendale Public Library Auditorium
222 East Harvard Street, Glendale
(818) 548-2042
Click here for a map.
Click here for parking.

*Author Masha Hamilton wrote a beautiful novel about this real-life camel book drive called The Camel Bookmobile. I highly recommend it!

Q&A & Giveaway on Living Read Girl

The giveaway madness continues! Check out my Q&A on Living Read Girl, and enter to win a copy of RUDE AWAKENINGS OF A JANE AUSTEN ADDICT or CONFESSIONS OF A JANE AUSTEN ADDICT.

 

A Real Writer Writes Every Day, and Other Myths

Please check out my guest post on Peeking Between the Pages, where I discuss some of the most common myths about writers and writing.

And there is yet another chance to win a copy of my new novel, RUDE AWAKENINGS OF A JANE AUSTEN ADDICT, plus a copy of my first novel, CONFESSIONS OF A JANE AUSTEN ADDICT. Enter to win at Peeking Between the Pages!

 

Calling All Fiction Writers: An Exciting New Conference

Here's a writers' conference I wish I were able to attend. It's a new conference sponsored by the Center for Fiction in New York and Fordham University, and organized by one of my favorite bloggers, Ron Hogan of Galleycat. This exciting event will take place on Saturday, June 27, at Fordham College at Lincoln Center.

Here's a description of the conference in Ron's words:

"In this rapidly changing economic climate, it's as important for authors to know about the business side
of publishing as it is about the artistic side of writing, so, with generous co-sponsorship from Fordham University's Creative Writing Program, we've created a one-day conference filled with panels designed to immerse people in the practical side of the publishing industry.

"I'm really proud of the lineup we assembled: The keynote is being delivered by Dan Menaker, and a closing panel will feature Jon Karp in conversation with Marlon James, Peter Cameron, and Sigrid Nunez. Other authors speaking at the conference include Jennifer Weiner, Maryann McFadden, Toure, Ben Greenman, and Jami Attenberg; we'll also be hearing from editors Laurie Chittenden, Ethan Nosowsky, and Sarah
Crichton. Agents like ICM's Kate Lee, Renee Zuckerbrot, and Larry Kirshbaum have agreed to take part as well. (The complete lineup of two dozen speakers is available online.)

"In addition to all that, the Center for Fiction is giving attendees a free month of access to its writers' studio in midtown Manhattan, plus a discount on future membership. And the total cost is just $200."

All that and a writers' studio, too? Sounds like quite a deal!

A Day of Pride, Prejudice, and Politics

The theme of the Spring Meeting of JASNA-SW, the Southwest Region of the Jane Austen Society of North America, was "A Day of Pride, Prejudice, and Politics," and I had the good fortune of being on the program with a stellar group of speakers:

First, there was Dr. Charles Lynn Batten, the UCLA professor about whom I've been hearing for years. The conversation with my fellow Austen addicts usually goes like this:

"You mean you've never heard Lynn Batten speak?"

"No."

A disbelieving shake of the head and pitying look follows.

Well, now I have heard Dr. Batten speak, and he is not only exceedingly knowledgable and insightful about Jane Austen, he was also downright hilarious. Dr. Batten's talk was called "Jane Austen: Conservative or Liberal?" His verdict: Austen was most likely a moderate Tory.

My opinion? I see his point, which is far more well-researched than my own belief, which is, quite simply, that Jane Austen had exactly my politics and beliefs. Same favorite colors. Would have like the same movies, too. As Karen Joy Fowler put it in THE JANE AUSTEN BOOK CLUB, "each of us has a private Austen."

[Back row, from left, Dr. Charles Lynn Batten, Syrie James, Laurie Viera Rigler, Dr. Margaret Horwitz. Front: Colin Firth! Photo by Barbara Smith.]

Then there was Margaret Horwitz, JASNA's Traveling Lecturer, who gave an illuminating talk called “The Legacy of Her Voice: Ethics and Wit in Austen’s Novel Pride and Prejudice and Its Filmed Adaptations." Dr. Horwitz's talk made me want to go back and watch both the BBC mini and the 2005 movie (as if I need an excuse) to see all the symbolism in props and camera angles that Margaret pointed out in her lecture.

Syrie James,  author of the best-selling LOST MEMOIRS OF JANE AUSTEN, gave us a sneak preview of her upcoming SECRET DIARIES OF CHARLOTTE BRONTË. Can't wait to read it.

As for me, I gave the very first public reading of my upcoming novel, RUDE AWAKENINGS OF A JANE AUSTEN ADDICT. If I am to judge by the laughter in the audience, then everyone was having as good a time as I did.

If that wasn't enough fun, there was a white elephant sale of – you guessed it—Jane Austen related books and tschotschkes. I spent $60 on 12 back issues of PERSUASIONS, the wonderful bound journal of the Jane Austen Society of North America. Such a deal! My bookshelves are groaning. But I'm all smiles.

RUDE AWAKENINGS OF A JANE AUSTEN ADDICT: the first copy!

If there's anything more thrilling than holding the first copy of one's finished book in one's hands, I'm hard pressed to say what it is.

It's here. In my hands. RUDE AWAKENINGS OF A JANE AUSTEN ADDICT.  And all I can say is…WOW.

Just five more weeks, and it will be out there in the world. No longer just a story inside my head, but a story inside other people's heads.

Guess I've just figured out what's more thrilling than holding the finished book in my hands. You holding it in yours. And having a smile on your face as you read it.

May this book spread happiness wherever it goes.

A Jacket Pretty Enough to Wear

A couple of days ago two jackets for RUDE AWAKENINGS OF A JANE AUSTEN ADDICT arrived in my mailbox. Of course I had already seen the cover art on my computer screen. Nevertheless, there is nothing like holding the finished jacket in one's hands, seeing the colors in vibrant, real-life glory, running one's fingers over the raised letters, and best of all, imagining the jacket wrapped around an actual book. That pleasure is still to come…

 

Skype an Author at Your Next Book Club Meeting

Ever thought about chatting with an author at your next book group meeting via Skype? That's what the reading group of JASNA (Jane Austen Society of North America), Southern Arizona Region, did with me last Sunday, complete with webcam.

I've done a lot of conference calls with book groups. Very simple. All the group needs is a speakerphone. But this time the group called me with a laptop. Or more precisely, their laptop called my laptop. And because each of our laptops had cameras clipped on or built in, we were able to chat face to face. Oh how I love modern technology.

For me, the Skype call with JASNA's Southern Arizona book group was a peak book club experience. There was a level of connection and immediacy in our face-to-face conversation that one can't possibly match on a speakerphone. Phone calls are fabulous, if that's all there is available. But if I can see who I'm talking to, and they can see me, the connection is that much more focused and intimate. It's the next best thing to being physically present in the room.  

For anyone who isn't familiar with Skype, it's a free program you can download. Super easy to use. The Skype website also sells clip-on cameras and headsets.

Book Club Girl, one of my favorite blogs, has a great piece about Skype author call-ins for book clubs.  Book Club Girl gives her perspective, and so does author Ami McKay. They love the idea as much as I do.

There is another thing to consider when using Skype, at least for this author; to wit: trading my pajamas or yoga clothes (my favorite writing attire) for grown-up girl clothes. And powdering my nose. Oh, yeah. And unpacking that stack of office supplies piled up behind me. One never knows what might show on camera.

It's well worth the effort, in my opinion. So next time you're thinking of inviting an author to your next book club meeting, ask if you can do it via Skype.

[JASNA-Southern Arizona Region:  Front Row, L to R: Judy, Angela. Middle Row: Pat, Melita, Jane, Linda. Back Row: Teri, Iris, Paula, Laurie, Mike.]

How Do I Love Bath? Let Me Count the Ways.

A couple of days ago, Kerri Spennicchia, Assistant Regional Coordinator of JASNA NY  forwarded to me the Jane Austen Centre's newsletter with a note "You do know that “Confessions” has been nominated for [a] Regency [World] Award.”

No, Kerri, I didn't! In fact, as a subscriber to the excellent Jane Austen's Regency World magazine, I'd received the newsletter myself earlier in the day. But I hadn't yet looked at the nominees. Nor had it occurred to me that my book might be one of them.

I've been doing the happy dance ever since.

According to The Jane Austen Centre in Bath, which is the sponsoring organization, "the Awards recognise the contribution of the nominees in furthering the understanding, appreciation and enjoyment of the work of Jane Austen."

Winners are chosen by the public, so please visit The Jane Austen Centre's website and cast your vote.

I had the great pleasure of visiting The Jane Austen Centre when I was deep into my research for Confessions of a Jane Austen Addict and took a trip to Bath. I'd long been curious about the city that figured so prominently in Persuasion and Northanger Abbey, and where key scenes in my own novel take place. I'd read a great deal about Bath prior to my visit, but the one thing that all my reading hadn't prepared me for was the feel of the place. Before I'd spent a full day in Bath I was already thinking to myself: I could live here. In a heartbeat.

What struck me more than anything else about Bath was its own heartbeat. Its energy and vitality. Although going to Bath was like going back in time, it was also a vibrant, wholly alive place.

There was so much to do in Bath that every day was filled with exciting adventures. I went to The Jane Austen Centre  and breathed in everything Austen. I took one of The Centre's excellent walking tours of Jane Austen's Bath. I also took an unforgettable walking tour of Georgian Bath led by Bill Haxworth of the Mayor's Corp's of Honourary Guides.  I went to the Assembly Rooms  and thought of Anne Elliot and Catherine Morland,  gazed at the façade of 4 Sydney Place, where Jane Austen once lived, walked in Sydney Gardens, went to Bath Abbey, visited the Pump Room and the King's Baths, the Building of Bath Collection, Number One Royal Crescent, and the Victoria Art Gallery. I sketched, bought a suitcase full of books, wrote scenes for my novel.

I left Bath inspired and full of energy, ready to delve back into Confessions of a Jane Austen Addict. At the time, I had no idea that my book would ever be published. It certainly never crossed my mind that it might some day be nominated for a Regency World Award. I am deeply grateful to the Jane Austen Centre for this great honor.

Please visit the Jane Austen Centre's website and cast your vote for the 2009 Regency World Awards.

Read to Kids--and spread some happiness around

Writers tend to be a tad on the obsessive side. A little too caught up in our own little worlds. After all, we sit at our desks immersed in stories that go on inside our heads. And sometimes it's easy to forget that there is actually a world full of other human beings out there. Which is why I like to unchain myself from my desk now and then and actually try to connect with other human beings. Maybe even spread some happiness around.

Recently I had the privilege of doing just that when I visited Macfarlane Park School for International Studies in Tampa, Florida, where my nephew Eli attends first grade. I read a story to his class, and all I can say is that if you are ever feeling disconnected, low, or sorry for your self, I have the cure. Call up your local elementary school and read a storybook to a room full of first-graders. You will rediscover all the childlike wonder and love of story that got you reading or writing in the first place.  

These kids were so excited they could barely contain their energy. In fact, their teacher, a lovely young woman named Holly Madiedo, gave them a time-out in the middle of story time so they could shake out all that excess energy. She also showed me how she got the kids to start writing their own stories. First graders! Holly is an extraordinarily dedicated teacher, and what a privilege it was to meet her. Holly's also a dedicated writer, writes every day and who knows where she gets the energy after a day with those first-graders, but I've no doubt I will one day see her stories in print.

After saying good-bye to Ms. Madiedo's class, I headed over to Mrs. Nestor's fourth-grade class, where I talked about—of all things—having one's writing edited! Yes, these were fourth-graders. It seems they had just had their first experience having their writing commented on and edited by their wonderful teacher, and they were having a hard time dealing with the feedback. So I told them that it's not any different for adults like me and that the trick is to play the "what if" game. What if I did change that sentence the way my teacher/editor suggested it? What if I might actually like it? It doesn't hurt to try.

The kids loved hearing that adults go through the same things they do with their writing. And what questions they asked me! One little boy asked me what inspires me; another asked what I do when I don't know what to write. The answer to the first is everything around me if I open myself to it. The second is something I've talked about in my writing workshops, and that's having fun with being in the place of "I don't know." I don't know what's going to happen next in my story. I have no idea what to write. And isn't that great? Because I just KNOW that something wonderful is going to come to me. And you know what? It does.

So if you're feeling low about the world, your life, or the state of the economy, there is definitely something you can do. Read to a child. Even better—read to a classroom full of children. I can guarantee there are plenty of overworked, dedicated teachers who would love to have you visit their classroom and share your excitement about your love of books. And pass that on to a child.

There are even organizations that can help you get started, if you don't feel quite up to doing it on your own. Here's a wonderful organization that I participated in--Readingtokids.org. They're in the Los Angeles area. For an organization in your area, just do a Google search with the keywords "reading to kids" or "reading to children" and the name of your city, and I'm sure you'll come up with something perfect. 

And by the way, it's never to young to start reading Jane Austen to kids. But that's the subject of another post to come...

The Dates of My Next Writing Workshop Have Changed

STORYTELLING TECHNIQUES FOR FICTION WRITERS, which I am teaching at Vroman's Bookstore in Pasadena, CA, will take place over six Tuesdays, beginning April 14 to May 19th, 6:30 to 8:30 PM.

Ever wondered how to "show, don't tell"? Then this workshop is for you.

For detailed information on what I cover in this class, please visit Vroman's website.

To register, call Vroman's at 626-449-5320.

Hope to see you there!

My Workshop: Storytelling Techniques for Fiction Writers

Yes, I'm teaching it again.

For six Tuesdays beginning March 31, I'll be teaching Storytelling Techniques for Fiction Writers at my favorite indie bookstore, Vroman's in Pasadena, CA.

To register, please call Vroman's at 626-449-5320.

Here's a description of the class:

Writing a compelling story is about revealing the world of your protagonist in a way that keeps the reader engaged and eager to know what happens next. In this class, I will explore how to “show, don't tell” and breathe life into the page.

The principles and techniques I will cover include:

*    establishing character goals and desires
*    revealing internal and external conflict (obstacles to achieving those goals)
*    choosing a point of view (first-person, third-person, or omniscient) that best serves your story
*    unfolding events in immediate scene and narrative summary
*    maintaining suspense and tension
*    engaging the senses
*    evoking emotions
*    using metaphors and similes judiciously
*    writing effective and engaging dialogue
*    getting into and out of flashbacks

The class will include explanations and examples of these principles plus in-class writing exercises that put the principles into practice. If time permits, I will read out the exercises students wish to share and offer comments and suggestions. This is a safe and encouraging environment in which there is no peer critiquing or commenting.

Suggested (but not required) text: Stein on Writing by Sol Stein.

The fee for this class is $350 plus tax. To register, please call Vroman's at (626) 449-5320. 

Coming Up: Writing Workshop Starts Jan. 20

For six Tuesdays beginning January 20, I'll be teaching Storytelling Techniques for Fiction Writers at my favorite indie bookstore, Vroman's in Pasadena, CA.

There's still room in the workshop, so if you're interested call Vroman's at 626-449-5320.

Here's a description of the class from Vroman's website:

Writing a compelling story is about revealing the world of your protagonist in a way that keeps the reader engaged and eager to know what happens next. In this class, novelist Laurie Viera Rigler will explore how to “show, don't tell” and breathe life into the page.

The principles and techniques she will cover include:

*    establishing character goals and desires
*    revealing internal and external conflict (obstacles to achieving those goals)
*    choosing a point of view (first-person, third-person, or omniscient) that best serves your story
*    unfolding events in immediate scene and narrative summary
*    maintaining suspense and tension
*    engaging the senses
*    evoking emotions
*    using metaphors and similes judiciously
*    writing effective and engaging dialogue
*    getting into and out of flashbacks

The class will include explanations and examples of these principles plus in-class writing exercises that put the principles into practice. If time permits, the instructor will read out the exercises students wish to share and offer comments and suggestions. This is a safe and encouraging environment in which there is no peer critiquing or commenting.

Suggested (but not required) text: Stein on Writing by Sol Stein.

Instructor: Laurie Viera Rigler

Laurie Viera Rigler is the author of the Los Angeles Times best-selling novel Confessions of a Jane Austen Addict. In addition to teaching writing workshops at Vroman's, Laurie spent several years as a freelance book editor working with authors of fiction and nonfiction, from the birth of the story or concept to the finest polish of the finished manuscript.

Q&A and a book giveaway

I've done a Q&A on a cool literary blog called Scobberblotch, which is the blog of Karen Harrington, author of the fascinating novel Janeology (nothing to do with Jane Austen).

Check out my Q&A for insights on writing, Austen, and Confessions of a Jane Austen Addict. Please post a comment on Scobberlotch if you'd like to be entered in the drawing for a signed copy of Confessions.

Happy Thanksgiving to all!

Another Book Giveaway!

Naida of The Bookworm, an excellent book blog I recently discovered, interviewed me for her blog and is giving away two personally inscribed copies of Confessions of a Jane Austen Addict.

Click here to read the Q&A and enter the giveaway.

Winners will be announced Monday, September 15 by The Bookworm.

Q&A on Booking Mama, and another chance to win a book!

Julie of Booking Mama, an excellent blog whose tagline is "Sharing ideas on books and book clubs (and occasionally other things)," interviewed me for her blog. Here is the post, which you can also read on her blog. Do visit Booking Mama if you're searching for something fabulous to read on your own or with your book group.

Booking Mama: I am absolutely thrilled that Laurie Viera Rigler, author of CONFESSIONS OF A JANE AUSTEN ADDICT, agreed to answer a few of my questions. I read her book back in June when I was fortunate enough to participate in Book Club Girl's BlogTalk Radio Show; and I really enjoyed both the book as well as the discussion with Ms. Viera Rigler (you can read my review here.) I highly recommend CONFESSIONS OF A JANE AUSTEN ADDICT, and I hope this interview will give you some insight into the book and entice you to read it!

Booking Mama: I love the concept for CONFESSIONS OF A JANE AUSTEN ADDICT – it’s such a unique idea to combine time travel with a historical fiction-type book. How did the idea for this novel come to you?

Laurie Viera Rigler: Hi, Julie, and thanks for asking me about CONFESSIONS OF A JANE AUSTEN ADDICT. The idea didn't come about deliberately; I wasn't trying to think of an idea for an Austen-inspired novel or an idea for any novel. I was just standing in my kitchen one day and saw, in my mind's eye, this twenty-first-century Austen devotee, Courtney Stone, waking up in that four-poster bed in 1813 England in someone else's body.

Booking Mama: To write a historical fiction book like this, you must have done a ton of research to make it “feel” authentic. What types of research did you conduct, and how much time did you spend doing the research for CONFESSIONS OF A JANE AUSTEN ADDICT?

Laurie Viera Rigler: I spent six years writing the book and did research throughout that entire period. I read many books and periodicals about the period, traveled to England, and made use of excellent Internet resources such as Google Books and the Jane Austen Society of North America's website, http://jasna.org. I also conducted some experiential research (not time-traveling, unfortunately) by taking English country dance lessons and going to a few balls, including one I attended with my husband in which I discovered that English country dance is indeed a very sexy thing to do with the handsomest man that ever was seen.

Booking Mama: Jane Austen is huge right now with so many books and movies out there! Why do you think she is so popular today, almost 200 years since she wrote her novels?

Laurie Viera Rigler: What makes Jane Austen timeless is her keen observation of human nature, and human nature has not changed at all in the past 200 years. That is why we can read about Elizabeth and Darcy and see ourselves in a heroine who thinks she knows everything about another person and realizes she's been blinded by the same pride and prejudice she ascribed to him. That is why we can see ourselves in Anne Eliot of Persuasion and relate to someone who has been misguided and unappreciated, and who finally gets a second chance to make things right. The other novels have equally resonant universal themes. Plus there is the pure delight of reading a well-constructed, funny, and touching story with a satisfying conclusion and so many layers of mastery that it can be read again and again with increasing pleasure.

The movies attempt to capture that mastery, and some succeed better than others. Emma Thompson wrote the best Austen screenplay, in my opinion, because she truly captured some of that Austen wit and genius. In any case, the movies are almost always fun escapist entertainments, providing a doorway to another time and place, an accessible and low-risk form of time travel. And they are an excellent way to introduce potential readers to Austen's novels.

Booking Mama: I found the ending to be very interesting, and I like how you left the ending open for different interpretations by your readers. As the author of the story, do you have a definite theory on the ending or does your opinion change?

Laurie Viera Rigler: What an intriguing question! The ending has a very specific meaning for me. However, once I started hearing various interpretations of the ending from my readers, I decided not to interfere with the individual reader's interpretation by imposing my own. Generally, the interpretations fall into two main categories, but to say any more might spoil it for those who have not yet read the book. I will only say that the ending is a truly happy one, and that my protagonist gets exactly what she wants.

Booking Mama: Your second novel is kind of being described as a sequel to CONFESSIONS OF A JANE AUSTEN ADDICT since it will have some of the characters who were in the first book– this time Jane finds herself in the body and life of a 21st-century woman. Did you always know that you wanted to write this book when you began CONFESSIONS OF A JANE AUSTEN ADDICT, or did you decide to tell this story after the success of your first book?

Laurie Viera Rigler: The sequel to CONFESSIONS OF A JANE AUSTEN ADDICT is more like a parallel story/sequel in that it follows the adventures of Jane Mansfield (the nineteenth-century character from CONFESSIONS, not the twentieth-century screen goddess) who has woken up in Courtney Stone's twenty-first-century life (and body). So basically, while Courtney is taking over Jane's life in the first book, Jane is taking over Courtney's life in the second book.

The idea for the second book came up while I was writing CONFESSIONS OF A JANE AUSTEN ADDICT. I did consider including Jane's twenty-first-century story in the first book; however, it just didn't feel right. Her journey is a very different journey, and it just didn't fit inside the first book. So I decided it would be my second novel, and I decided this way before I had a publisher.

Booking Mama: As I read this book, I could totally picture it as a movie. Is there any chance that CONFESSIONS OF A JANE AUSTEN ADDICT will appear on the big screen? Are there any specific actors/actresses you see in the roles?

Laurie Viera Rigler: I too would love to see CONFESSIONS OF A JANE AUSTEN ADDICT as a movie, and the rights are available if some clever producer would like to make me an offer I can't refuse. There are so many wonderful actors and actresses I admire that I couldn't possibly limit my fantasy choices. But I've certainly enjoyed reading and participating in the forum thread on my website that's devoted to casting the movie.

Booking Mama: I have to admit that I am not a huge “Jane Austen Addict;” but after reading your novel, I have to say that I want to re-visit some of her books. That has to make you pretty happy if you’re having that effect on your readers. Besides creating some new Austen fans, what else would you like for your readers to learn from or take away from this book?

Laurie Viera Rigler: I can't tell you how happy that makes me, Julie. It was my intention to write this book so that it would be completely accessible to those who had never read Austen or who had read a little Austen. And then there are all sorts of allusions to the novels that Austen addicts like myself would enjoy as well. It is tremendously gratifying to me that someone who reads my book would then become interested in revisiting Austen or reading her for the first time, which I have heard as well.

What I'd like readers to take away from this book, aside from the pleasure of a fun read, is a desire to explore some of the central questions that Courtney faces. One of those questions is: What makes up my identity? Am I who I am because of what I remember, or because of what people remember about me? Am I whoever people think I am, or am I someone else entirely? And what would I be willing to give up to live in a different time, and what would I gain?

Booking Mama: What is the best thing about being a writer? What is the strangest thing that’s happened to you since your novel was published?

Laurie Viera Rigler: The best thing about being a writer is being able to immerse myself in the world of my protagonists. It is a privilege and an adventure to see a whole new world through their eyes. I may not, in "reality," have time-traveled to Jane Austen's world and switched identities with a Regency gentlewoman, but thanks to Courtney I feel like I've shared her experiences.

The strangest thing that's happened to me since my novel was published was seeing my book in an airport bookstore, because back when I was fantasizing about being published I was traveling with my husband, and in an airport bookstore I said, wouldn't it be fantastic one day to see my book here?

Booking Mama: Besides Jane Austen (of course), who are some of your favorite authors and what are some of your favorite books?

Laurie Viera Rigler: I adore Zadie Smith. On Beauty is one of my favorite books and very much reminds me of Austen, even though it is an homage to E.M. Forster's Howard's End. I also love Nick Hornby, who also reminds me of Austen (About a Boy, High Fidelity, Long Way Down, How to Be Good). And I love Ian McEwan (Atonement, On Chesil Beach), Chitra Banerjee Divakaruni (Vine of Desire, Sister of My Heart), Jhumpa Lahiri (The Namesake), and so many other authors. I'm an avid reader. A few novels I've recently read and loved: Keeping the House by Ellen Baker, Fifteen Minutes of Shame by Lisa Daily, Angelica by Arthur Phillips, The Jewel Trader of Pegu by Jeffrey Hantover. I could go on and on but will restrain myself!

Thanks again for asking me about CONFESSIONS OF A JANE AUSTEN ADDICT. It's been a lot of fun talking to you, Julie, and I hope to do it again soon!

Booking Mama: A huge thanks goes out to Ms. Viera Rigler for this interview. If you would like to learn more about CONFESSIONS OF A JANE AUSTEN ADDICT, you can visit the book's website. I have had almost as much fun playing around on this website as I did reading the book! The site is very interesting (as well as entertaining) and has tons of information for the "Jane Austen Addict" in all of us.

There is also another great opportunity to "talk" with Ms. Viera Rigler on August 12th. She will be joining Jane Austen Today for a live chat, and you can ask her some of your questions about the book. Click here for more details about how to participate - you could even win a copy of the book.

Not only has Ms. Viera Rigler been extremely gracious in answering all of my questions, but she has also offered to give away two signed copies of CONFESSIONS OF A JANE AUSTEN ADDICT! If you are interested in winning a copy of this book, please leave a comment with the name of your favorite Jane Austen book (or movie). Don't forget to leave an e-mail address so I have a way to contact you. If you'd like to double your chances to win, blog about the contest (and the interview) with a link to this post. You have until August 8th to enter. This contest is open to citizens of the United States and Canada only.

I QUIT!

About two months ago I was obsessively checking my amazon.com sales ranking  (I'm told this is a common addiction among newly published authors and that sometimes said authors must be hauled off to rehab) when I came across a gem of a customer review, entitled "Austen Addict Needs Rehab." This title was not, in fact, as serendipitous as it appeared, as I discovered when I read the first two sentences:

Laurie Viera Rigler should resign her membership in the Jane Austen Society. I don't see how anyone who admires Austen's work could associate that great author's name with this tripe.

I happened to be in a fairly confident mood that day, and so I was able to laugh it off. After all, I knew when I was working on this book that should it ever be published, it was likely to arouse the ire of some and the approbation of others, Janeites being a particularly passionate bunch. And if I've learned anything from my years of reading Austen, it's the importance of laughing at myself.

So, aside from the absurdity of the reviewer's proclamation, how was I able to resist the temptation to take any of this personally? Glad you asked. I'd have to say that other external forces of a positive nature, such as finding out Confessions of a Jane Austen Addict debuted on the Los Angeles Times bestseller list and several good reviews made this call for my resignation from JASNA seem a trifle, even an amusing one.

Inevitably, all highs wear off. It could be that (a) you get a bad review. Or (b) you're having a hard time zipping up your jeans. Or (c) that cute guy who lives across the street didn't smile back at you. It doesn't matter, of course, that (a) the reviewer simply didn't enjoy your book but did enjoy making herself look clever at your expense. Haven't you ever done that in private conversation? The only difference is that newspaper reviewers get to be catty in public. It also doesn't matter that (b) you happen to be premenstrual AND ate pizza for the last three days, so of course your jeans are tight at the moment; and (c) that cute guy across the street wasn't wearing his glasses and didn't see you smile. In fact, he didn't even know that blurry blob across the street was you.

Nope, none of that matters whatsoever. By the time you've been through (a), (b), and (c) and who knows how many other imagined slights, you're ready for some more self-flagellation. Let's see--what would hit the spot? I know! Let's check our amazon.com ranking. No. This cannot be true. It just shot up 5,000 points in four hours?? How is that possible? Does my book really suck? Is it all over? Am I the biggest loser on the planet?

But wait, there's more: Surely the answer to the question of whether or not "L" must be stamped on my forehead awaits me in the review section of my book's buy page. Let me scroll down a bit and--NO--not another bad review. This one is so awful ("I chose this book for my book club pick. I was so NOT impressed that I am going to tell the other book club members not to waste their time") that I feel compelled to re-read the one that says I need to resign from JASNA.

And you know what? This time I'm not laughing.

I've thought about this descent at length, and I've come to the conclusion that something has to change. And you know what? It isn't my membership status in JASNA. In fact, since then I've become a life member.

No, what needs to change is me. My habits. My beliefs. Was I going to allow other people to determine my happiness based on something as inconsequential as whether they love or hate my work?
After all, is my book any better or worse than it was because of the good review? Or the bad review? Of course it isn't.

All I know is this: If I sit on the praise/criticism seesaw, I'm doomed to the inevitable down after going up. Anyone ever see a seesaw stand still with someone at the top?

I've decided to find my happiness elsewhere. I've also decided to stop making devil's bargains with myself. To wit: I am a master at all those "If only this happens, I'll be so happy" wishes. At first it starts out with: "If only I had an agent for my book, I'll be so happy." Well, I was/am. But then it turned into, "If only I get a publisher for my book, I'll be so happy." Then it's "If only the book gets a good review, I'll be so happy," and "If only it sells a lot of copies, I'll be so happy." Have I kept any of those promises? Only temporarily. All it takes to make the seesaw go down is the first bad review, drop in sales figures, too-tight jeans, or imagined slight from my neighbor.

So here's what I choose instead: I choose the happiness that comes when I practice gratitude for all the blessings in my life. I choose the happiness that comes when I'm giving a reading and my sole mission is to make the people who came to see me happy. I choose the happiness that comes when I delight in the pure joy of creating a strong scene or a funny moment. I choose the happiness that comes from whatever comes.

Failure, I've decided, is not an option.

May happiness be yours to keep.

My Guest Post on Booksquare

I was delighted to guest post for one of my favorite blogs, Booksquare (see my Jane's Addictions page). You can read the full post here or on Booksquare:

Jane, Now More Than Ever

September 13th, 2007
by Laurie Viera Rigler

[BS: The great thing about Jane Austen fans is the myriad of reasons they come to Jane. Some come for the clothes, stay for the satire. Others seek the social skewering but discover the empathy. And, yeah, there a few who figure if it's good enough for Colin Firth... Today, we welcome Laurie Viera Rigler, whose novel Confessions of a Jane Austen Addict captures the beauty of loving Jane while indulging in the ever-tantalizing "what if"]

The decision to write Confessions of a Jane Austen Addict wasn't exactly a decision. It happened like this: I was standing in the kitchen of the house I used to rent in the Highland Park area of Los Angeles, and I saw, in my mind, the opening scene of my book unfold. I saw a twenty-first-century woman who, like me, reads and rereads Jane Austen's six novels. Unlike me, she wakes up one morning in the body and life of an Englishwoman in Austen's time. I couldn't stop thinking about her, and finally I decided to write down what I saw. Once I opened that door, there was, of course, a good deal more to her story.
   
It wouldn't take a quantum physicist to figure out why Courtney Stone made her appearance in my head. After all, she embodies all the "what if's" I posed in many an idle fantasy indulged after yet another reading of Pride and Prejudice or another viewing of the 1995 BBC adaptation. What if I could hang out in one of those drawing rooms in Jane Austen's world, pretending to do needlework ("pretending" being the operative word for someone who cannot sew) while stealing glances at some hottie in tight knee breeches? Would it be a dream come true to inhabit that world, or a case of be-careful-what-you-wish-for? What exactly do Austen's books tell me about her world, and what do they not tell me? What is invisible to me as a contemporary reader? Just how sanitized are even the most "faithful" of the film adaptations? Why do I, with all my freedom and choices as a contemporary woman, fantasize my way into the world of Jane Austen? Writing this book was an opportunity to explore those questions.
   
There is another question I keep hearing, and it concerns the current spike in the popularity of all things Austen. That question is "Why now?" It is difficult to imagine topping Devoney Looser's hilarious answer (here). Nevertheless, I'll venture a couple of theories.

Here is the first: Quite simply, it's score one for the snowball effect of the collective consciousness. Like Austen's "one shoulder of mutton, you know, drives another," one could say that "one Austen movie drives another quickly through the development process." It is, after all, the films that are sexy enough to grab most of the headlines. And there are at least six of them, two in theatrical release (Becoming Jane and the upcoming Jane Austen Book Club) and at least four coming up on PBS. The books then gratefully hitch a ride on the pop culture express.

Here is another theory, which came out of something my husband said to me the other day when I was obsessing over something of no consequence whatsoever. "The mind," he said, "is an unreliable narrator." His comment led me to ponder whether we are now living in the era of the unreliable narrator--from our widespread distrust of traditional media and Washingtonian mouthpieces to our own overly analytical and self-helped-to-death minds. Perhaps our need for the reliable narrator is stronger now than ever.
   
For me, there is no narrator more reliable than Jane Austen, the keenest and funniest observer of human nature of any author I know. It is her all-knowing, all-seeing narrator who holds up a mirror to our human failings as well as our capacity for magnificence. It is she who guides us to distinguish truly trustworthy behavior from the posings of those who have nothing to recommend them but a handsome face and an agreeable manner. It is she who shows us how to spot greed, jealousy, arrogance, and vanity at a hundred paces, regardless of how smartly dressed it is. Most of all, it is she who shows us how to laugh at all of it and not take ourselves so seriously. That is why I can't (and wouldn't want to) stop reading and rereading Austen. For me, her six novels constitute the most reliable set of self-help books I could ever want to own. Add to that her gift for storytelling twists and a love story with a satisfying ending, and you've got the perfect recipe for a much healthier sort of addiction than those in which we humans usually indulge.
   
Austen's hilarious skewering of the follies and flaws of human beings is what makes her novels timeless. Human nature, after all, hasn't changed at all since Austen's day. Nevertheless, I, like many Austen addicts, do find myself drawn to the period details of her world, the window dressing, if you will. What makes these details attractive has little to do with their inherent qualities. After all, empire-waisted gowns are not as well-suited to my figure as they are to say, Gwyneth Paltrow's. And given the choice between spending five hours in my car driving from San Francisco to Los Angeles, as I did the other day, to four bone-jangling days in a horse-drawn carriage, I'd take the car any day. Nevertheless, I am attracted to those details precisely because they are of her world, because they give me greater access to her stories.
   
And so in writing Confessions of a Jane Austen Addict I was able to indulge another aspect of my addiction, immersion in the details of Austen's world. And yes, when seen through the Hollywood-tinted lenses of postmodern nostalgia, spending four days on the road in a horse-drawn carriage doesn't sound that bad after all. Especially if at the end of your journey you get to sleep in a four-poster bed in a sumptuous mansion and rest up for the ball where you dance with Jeremy Northam and look just like Gwyneth Paltrow in your empire-waisted gown.   
   
Still, I'd venture to say that our deepest yearning isn't merely to escape the noise of modern technology for the bonnets and balls and carriages of Jane Austen's world. We, like our favorite protagonists, long to escape the unreliable narrators of our minds for an omniscient guide who writes our own story, the one with the happy ending.

[BS: Confessions of a Jane Austen Addict is available at bookstores right now, and Laurie Viera Rigler's website is a treasure trove for fans of Jane, ready-to-become fans of Jane, or just people who understand the value that comes from wasting time on a really fun site. Laurie is also making appearances in support of her novel.]

 

Becoming Jane: Some thoughts

I keep thinking about "Becoming Jane," which I saw last night at a special screening for JASNA-Southwest. Sure, it took liberties with chronology and no doubt fashioned characters and events out of pure imagination. Sure, it may not be everyone's idea of who Jane Austen was or what she would have done. But who cares? Who could possibly claim to know who Jane Austen really was? Not the most scrupulous biographer, not the most accomplished Austen scholar, not the family members who wrote about her, not we who read her surviving letters and her six great novels and her juvenilia.

Even if we possessed every letter she wrote--and it is well known that Jane's beloved sister Cassandra Austen made sure that would not happen (though A.S. Byatt's Possession is still my fondest Janeite fantasy)--we would still have only those snapshots of her life. We can only guess at who the author is, who any author is, by reading her letters and reading her books and stories. I always smile when I read and hear heated debates as to who of Jane Austen's heroines most closely resembles Miss Austen herself. How about all of them? Is not each of us a myriad of identities and concepts of ourselves, from what we think we are to what various people around us conjecture? Would each of our friends and relations provide the same description of our character, or even our appearance? So yes, "Becoming Jane" is fiction based on fact. Once one is comfortable with that notion, one can truly sit back and enjoy this lovely film. It's a compelling story with stellar performances by all.

For me, the most enchanting thing about it was seeing how the filmmakers portrayed the process of creation, how we would hear the words rushing through Jane Austen's head, flowing out of her pen, considered, rejected, crossed out, and replaced with something even more brilliant; and yes, how the people around her spouted lines from her books, because that is what writers do, they listen and store away and then use whatever they see, hear, smell, taste, and touch. It also gave me a lot to think about in terms of why authors might choose, as a service to themselves and their readers, to give their protagonists happy endings.

For me the most gratifying thing about this film was seeing Jane Austen portrayed as a passionate, independent, empowered, and sexually awakened women who made staggeringly courageous choices in her life, including the choice to be a novelist and the choice not to marry. This is a refreshing change from the caricature of the sweet-tempered virgin writing fluffy romances, an image that was born with the "Memoir" of Jane Austen written by her nephew, James Edward Austen-Leigh (see Emily Auerbach's excellent book, Searching for Jane Austen, for a fascinating analysis of our misconceptions about Jane Austen).

The only thing I didn't appreciate was the closing line written on the screen, which stated that neither Jane nor her sister Cassandra ever married. That seemed unnecessary (and perhaps unintentionaly sexist) after the previous lines, which stated that Austen wrote six of the greatest novels in the English language; and that Tom Lefroy became Chief Justice of Ireland. I think the filmmakers should have left it at that.

Nevertheless, I highly recommend this film. Bring tissues.